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(b. Memphis, TN. 1986) is an explorer-artist working across photography, dance, and writing. Moving from the visionary and embodied root of Blackgirl Southern cross-temporal cross-modal storytelling ways, her works refer to the living breath/breadth of people of African descent against the expanse of their storied, geographic, and imaginative landscapes. Working in long-form projects that encompass the visual, folkloric, documentary, and performing arts, she has produced The People Could Fly Project, The Black Portlanders, and The Black. Co-created with her four artist sisters, The People Could Fly Project, was a 200,000-mile flying arts expedition exploring realities of flight and freedom within the African diasporic myth of the flying African and Virginia Hamilton’s award-winning book, The People Could Fly.

Abioto is the recipient of a 2018 Oregon Humanities Emerging Journalists, Community Stories Fellowship for which she began a continuing body of research on the history of artists of African descent in Oregon. She has performed and/or exhibited at Ori Gallery, Portland Art Museum, Duplex Gallery, Photographic Center Northwest, African American Museum in Philadelphia, Poetry Press Week, Design Week Portland, Spelman College, Powell’s City of Books, University of Oregon White Box Gallery, Portland State University, Reed College, and Zilkha Gallery among others. Selected for an Art in the Governor’s Office solo exhibition in 2019 she exhibited and performed with nine Oregon-based Black artists against the inner expanse of the Oregon State Capitol building in Salem, OR. Her publication Black Portlands documents interviews with Black Portlanders alongside her photographs. She was a contributing photographer to MFON: Women Photographers of the African Diaspora (2017) and her photographs illustrated the Urban League of Portland’s State of Black Oregon 2015. With the five women artists in her family, she is the co-founder of Studio Abioto, a multivalent creative arts studio. She lives in Portland, Oregon.